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Chapter 3.1: Adding Transitions, Post FX and Graphics | 360 VR Master Series
⏲ 3 min 96 sec ✓ 19-Apr-2017
Chapter 1.4: Production and Post Considerations | 360 VR Master Series
⏲ 3 min 43 sec ✓ 19-Apr-2017
LOS MONSTRUOS NO EXISTEN(Monsters do not exist), Subtítulos en Español
⏲ 5 min 70 sec ✓ 10-Jan-2013
Motion Graphics Showreel 2013 Tim Stadie
⏲ 87 sec ✓ 21-Jan-2014
CCTV News International, Compilation
⏲ 55 sec ✓ 26-Nov-2014
Deconstructing, Part XXII: Photo on the Go with Joe McNally: Adorama Photography TV
⏲ 2 min 76 sec ✓ 03-Apr-2014
Maya FumeFX Gradient Tools
⏲ 2 min 39 sec ✓ 10-Nov-2015
Chapter 3.8: Sending 360 VR Clips Over to After Effects | 360 VR Master Series
⏲ 1 min 94 sec ✓ 20-Apr-2017
Stereo 3D LR Demo
⏲ 96 sec ✓ 31-May-2011
The Midge trailer
⏲ 62 sec ✓ 19-Oct-2010
Luca Visual Fx \
⏲ 93 sec ✓ 30-May-2018
Nikon D800 36.3 MP CMOS FX-Format Digital SLR Camera Review
⏲ 61 sec ✓ 15-Feb-2012
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_chapter-3-1-adding-transitions-post-fx-and-graphics-124-360-vr-master-series.webp "Ch. 3.1: In this video, we get an overview of how transitions work in Premiere Pro.nnHost: Nick Harauz, Adobe Certified Trainer.nnPart of the")
_chapter-1-4-production-and-post-considerations-124-360-vr-master-series.webp "Chapter 1.4: This tutorial provides information to keep in mind before embarking on a 360 video production. Host: Nick Harauz, Adobe Certified Trainer.nnPart of the")
_los-monstruos-no-existen-monsters-do-not-exist-subttulos-en-espaol.webp "Nai es un niño que vive en Phonm Penh, Camboya. Últimamente está teniendo pesadillas con el “Yeak”, un mosntruo de la tradición khmer que se come a los niños que se portan mal. Michael, su profesor de ingles en la escuela, le dice que los monstruos no existen, que son cuentos de niños.nPero la verdad es muy diferente.nnDirección/Director: Paul Urkijo AlijonGuión/Screenplay: Paul Urkijo AlijonProducción ejecutiva/ Executive Productor: Andrés Torres, Christian Galvez y Paul Urkijo.")
_motion-graphics-showreel-2013-tim-stadie.webp "Details to the shown material in more or less chronological order:nnBrand: tVW nFormat:t10-part-documentation of")
_cctv-news-international-compilation.webp "The 5 channels of CCTV News International just moved into their new iconic headquarter in Beijing. Along with the move, CCTV News Int’l wanted to position itself as a global news provider targeting to the developing countries and an audience interested in China all over the planet.nnWe were asked to create a new brand image and to unify the on-air graphics of the international & foreign language channels based on the core values of CCTV News: Internationality, Balance and Multi-perspective")
_deconstructing-part-xxii-photo-on-the-go-with-joe-mcnally-adorama-photography-tv.webp "http://www.adorama.comnnAdorama Photography TV presents Photo on the Go with Joe McNally.In this episode, Joe shows how he captured a reverent")
_maya-fumefx-gradient-tools.webp "Q : Is there a way in Maya FumeFX to save the color gradient and opacity information from fire and smoke shading? Something like saving a preset in one file and loading it later in a different file.nnA : Hello, It's the Maya' control and we didn't add any additional support to FumeFX for load/save of presets.nRegards,nKresimir TkalcecnnJust wrote 2 little scripts : nn- one for 3DS Max that converts your gradients .agt files to .ini files. (format readable with Melscript or Python)nIf you use fum")
_chapter-3-8-sending-360-vr-clips-over-to-after-effects-124-360-vr-master-series.webp "Chapter 3.8: In this video we learn what parts of 360/VR production are best done in After Effects. We see how SkyBox Studio V2 is better for certain tasks like object removal from 360 footage - a camera tripod and drone from360 footage. nnHost: Nick Harauz, Adobe Certified Trainer.nnPart of the")
_stereo-3d-lr-demo.webp "To be viewed on a 3D monitor in side by side format, LR.nnA Stereo 3D film I created for my Senior Thesis at Ball State University. nnI created the small modelsnShot with two HD camerasnUsed Maya to create Stereo (3D) FXnComposited in After EffectsnnnnSet creation- Derrick NiehausnSpecial FX- Derrick NiehausnStereographer- Derrick NiehausnnnMusic- Eric Miller")
_the-midge-trailer.webp "It's only the female that bites...nnYou’re in the woods… You’re alone… And something wants your blood!nnA young city girl seduces her new boyfriend on a camping trip in the Suffolk countryside. But the sexually inexperienced country boys worst fears are realised when he comes face-to-face with the scourge of the British wilderness…nnFollowing a classic horror model, the film builds an atmosphere of slowly heightening terror, as its visual narrative moves ever inward, from wide establis")
_luca-visual-fx-92.webp "In these 2 examples we used up to 6 different tracks from")
_nikon-d800-36-3-mp-cmos-fx-format-digital-slr-camera-review.webp "http://www.goo.gl/ow5qV Nikon D800 36.3 MP CMOS FX-Format Digital SLR Camera Review The most obvious difference from the perspective of core functionality are a massive increase in resolution, from 12 to 36MP, which comes with a significant boost in processing power, and the addition of video mode. The D800's video mode is lifted almost completely from the professional D4 and boasts 1080p30 resolution with the option to output uncompressed footage via HDMI.")
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