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Gesunder Lebensstil bei Lungenfibrose
⏲ 53 sec ✓ 14-Jun-2021
Witness: The beetles, 2013
⏲ 6 min 38 sec ✓ 12-Nov-2013
Avoiding the Camera - 1 minute exercise, wpZimmer, 1.12.14
⏲ 1 min 66 sec ✓ 06-Dec-2014
Witness: Passers-by, 2013
⏲ 4 min 84 sec ✓ 17-Jun-2013
Witness: For Zaha, 2016
⏲ 5 min 83 sec ✓ 25-Apr-2016
Avoiding the Camera -1 minute exercise, group game, wpZimmer 4.12.14
⏲ 1 min 66 sec ✓ 06-Dec-2014
Ağaçkakan - RKS | Official Music Video
⏲ 1 min 58 sec ✓ 07-Jun-2019
SCHAUFENSTER Ü B E R S E T Z T (Svenja Langfeldt)
⏲ 2 min 79 sec ✓ 28-Jan-2019
Recycling-Film Workshop
⏲ 59 sec ✓ 22-Sep-2018
\
⏲ 1 min 60 sec ✓ 01-Feb-2016
CIELO HEMON: PITNESS
⏲ 3 min 19 sec ✓ 29-Dec-2021
Witness: Big Hugs, 2016
⏲ 5 min 3 sec ✓ 25-Apr-2016
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![La obra “Papa a lo Bonzo” es la segunda en la que Rodrigo Etem trabaja utilizando como material poético la referencia abierta a otras obras y artistas. En el primero “Codo a Codo” toma la obra de Marcelo Pombo [“Dos cepitas” 1995] y en ambos videos la operación se construye poniendo en situación de cruce obras y asuntos cotidianos de potencia crítica.nSin embargo en esta oportunidad la operación se complejiza, por un lado las obras trabajadas “Analogía I” de Víctor Grippo](https://cdn10.hifimov.co/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol81AGDkAwZ-ZGZgAwplMzD1ATMzAmR-ZGx5ZJR1LmZjBQN5ZGp0AmV5Z_WxLzLkMTIzZwqvL_H1ZwWvZQH_BQMwBGSvBGD5LmVlZv1xKmVjZUtkAGNcXltbFTyTnH1iqv5wolysAGH0ZGLmBQRmYGL3ZzMxAGEzMwpkBQR5BGSuAJZmZQtjBGR3AQplBGAvMTWzZJEyMwV3LzAyAGVlLwN1Awt_LmxkLwx0BJZlZwVgMP0lZQO-ZGHj/(HiFiMov.co)_92.jpg "La obra “Papa a lo Bonzo” es la segunda en la que Rodrigo Etem trabaja utilizando como material poético la referencia abierta a otras obras y artistas. En el primero “Codo a Codo” toma la obra de Marcelo Pombo [“Dos cepitas” 1995] y en ambos videos la operación se construye poniendo en situación de cruce obras y asuntos cotidianos de potencia crítica.nSin embargo en esta oportunidad la operación se complejiza, por un lado las obras trabajadas “Analogía I” de Víctor Grippo")
_gesunder-lebensstil-bei-lungenfibrose.webp "Dieses Video ist Teil des kostenlosen Online-Kurses „Gesunder Lebensstil bei Lungenfibrose")
_witness-the-beetles-2013.webp "Produced as part of the 2013 Common Ground Programme at STUK Kunstencentrum, Belgium.nnWitness is part of an on-going series of works by collective practice They Are Here, exploring re-enactment, human memory in relation to digital video and group dynamics. It can be thought of as a choreographic version of the game called ‘broken telephones’.tntttttnThe work usually involves identifying or devising a site-responsive set of movements with four people, which is then video-recorded. Four membe")
_avoiding-the-camera-1-minute-exercise-wpzimmer-1-12-14.webp "‘They Are Here’ is a collaborative practice steered by Helen Walker and Harun Morrison. Our work can be read as a series of context specific games. The entry, invitation or participation can be as significant as the game's conditions and structure. Through these games we seek to create ephemeral systems and temporary social groups that offer an alternate means of engaging with a situation, history or ideology.nnIn collaboration with Tuur Marinus, we have been developing new exercises that ta")
_witness-passers-by-2013.webp "Produced as part of the 2013 Common Ground Programme at STUK Kunstencentrum, Belgium.nnWitness is part of an on-going series of works by collective practice They Are Here, exploring re-enactment, human memory in relation to digital video and group dynamics. It can be thought of as a choreographic version of the game called ‘broken telephones’. nnThe work usually involves identifying or devising a site-responsive set of movements with four people, which is then video-rec")
_witness-for-zaha-2016.webp "Produced as part of Buzzcut Festival, Glasgow, 2016.nnWitness is part of an on-going series of works by collective practice They Are Here, exploring re-enactment, memory in relation to digital video and group dynamics. It can be thought of as a choreographic version of the game called ‘broken telephones’.tnnThe work usually involves identifying or devising a site-responsive set of movements with four people, which is then video-recorded. Four members of the public are then invited to watch t")
_avoiding-the-camera-1-minute-exercise-group-game-wpzimmer-4-12-14.webp "1 minute exercise, Avoiding / Seeking the Camera, wpZimmer 4.12.14nnTwo groups: 5 Greens & 2 Reds. The Greens aim for two of their number to be in frame. The Reds aim to disrupt this by adding a third person. The camera-operator is collaborating with the Greens.nn‘They Are Here’ is a collaborative practice steered by Helen Walker and Harun Morrison. Our work can be read as a series of context specific games. The entry, invitation or participation can be as significant as the game's condi")
_aakakan-rks-124-official-music-video.webp "2nd Istanbul International Experimental Film Festival, Music Videos Section, 2019nnVideo & Edit: Tuğçe KepnCamera: Tuğçe Kep, Berkay Kahvecioğlu, Rad Dar, ArmonThanks to: Cxngxvxr, Venus Music, Irmak Altıner, Harun Kep, Zarife Nur Şen")
_schaufenster-b-e-r-s-e-t-z-t-svenja-langfeldt.webp "Bei der Arbeit Ü B E R S E T Z T handelt es sich um eine Zweikanal- Videoinstallation, deren Videos unabhängig voneinander zu rezipieren sind. Der Satz „Das Ganze lohnt sich: Wenn Innen und Außen wieder miteinander klarkommen, sucht man gleich viel munterer das stille Örtchen auf“, welcher aus dem Buch Darm mit Charme“ von Giulia Enders stammt, wurde in elf verschiedene Sprachen über- und ins Deutsche zurück übersetzt. Die Auswahl der Sprachen beruht auf den Übersetzungen des Buche")
_recycling-film-workshop.webp "Recycling-Film-Workshop nDavid Sinkemat & Alexis RodrígueznSa. 6.10. von 11 bis 18 Uhr im endstation.kino nnnIn diesem Workshop werden wir einige wichtige Momente in der Geschichte des Kinos erkunden. Dabei werden wir uns hauptsächlich auf Arbeiten konzentrieren, die Filme oder audiovisuelles Material wiederverwenden. Im Laufe des Workshops werden wir entdecken, welche Möglichkeiten und Ergebnisse durch die Wiederverwertung erreicht werden.nIm ersten Teil des Workshops werden wir die Arbe")
![La obra “Papa a lo Bonzo” es la segunda en la que Rodrigo Etem trabaja utilizando como material poético la referencia abierta a otras obras y artistas. En el primero “Codo a Codo” toma la obra de Marcelo Pombo [“Dos cepitas” 1995] y en ambos videos la operación se construye poniendo en situación de cruce obras y asuntos cotidianos de potencia crítica.nSin embargo en esta oportunidad la operación se complejiza, por un lado las obras trabajadas “Analogía I” de Víctor Grippo](https://cdn10.hifimov.co/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol81AGDkAwZ-ZGZgAwplMzD1ATMzAmR-ZGx5ZJR1LmZjBQN5ZGp0AmV5Z_WxLzLkMTIzZwqvL_H1ZwWvZQH_BQMwBGSvBGD5LmVlZv1xKmVjZUtkAGNcXltbFTyTnH1iqv5wolysAGH0ZGLmBQRmYGL3ZzMxAGEzMwpkBQR5BGSuAJZmZQtjBGR3AQplBGAvMTWzZJEyMwV3LzAyAGVlLwN1Awt_LmxkLwx0BJZlZwVgMP0lZQO-ZGHj/(HiFiMov.co)_92.webp "La obra “Papa a lo Bonzo” es la segunda en la que Rodrigo Etem trabaja utilizando como material poético la referencia abierta a otras obras y artistas. En el primero “Codo a Codo” toma la obra de Marcelo Pombo [“Dos cepitas” 1995] y en ambos videos la operación se construye poniendo en situación de cruce obras y asuntos cotidianos de potencia crítica.nSin embargo en esta oportunidad la operación se complejiza, por un lado las obras trabajadas “Analogía I” de Víctor Grippo")
_cielo-hemon-pitness.webp "Cielo Hemon's second single")
_witness-big-hugs-2016.webp "Produced as part of Buzzcut Festival, Glasgow, 2016.nnWitness is part of an on-going series of works by collective practice They Are Here, exploring re-enactment, memory in relation to digital video and group dynamics. It can be thought of as a choreographic version of the game called ‘broken telephones’.tnnThe work usually involves identifying or devising a site-responsive set of movements with four people, which is then video-recorded. Four members of the public are then invited to watch t")
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