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A bitter neighbour boundary dispute has been settled in court - after raging for DECADES.<br/><br/>The row between two warring pensioners revolves around a quarter of an acre of disputed territory - with both parties saying it has cost them tens of thousands and affected their mental health.<br/><br/>Angela Coupe, 70, claims she first bought 1.5 acres of land in 1972, a five minute drive from her detached bungalow in Chesterfield, which she used for horses in 1974.<br/><br/>She built a wooden post along a concrete boundary which she said had been there since the 1930s.<br/><br/>The retired social worker and former Marie Curie nurse said she was “horrified” when she caught her neighbour Ian Revell, 66, and his late father moving the posts in her field in the mid 1990s and approached them.<br/><br/>She claims that she is entitled to 1.5 acres, and that the Revell family sold a quarter of an acre in 1945, leaving them with 0.77 of an acre. <br/><br/>However, Mr Revell has refused to budge and hit back at her claims.<br/><br/>He claims they are each entitled to one acre, meaning that Angela is currently encroaching by taking half an acre more than she is entitled to.<br/><br/>For nearly 30 years the two families have been at loggerheads, but Southern Derby Magistrates Court has now ruled in favour of Mr Revell with a judge ruling his adversary had lied about putting up a fence.<br/><br/>Following the verdict, Angela said she was \
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A bride surprised her grandparents by showing up to her rehearsal dinner in her grandmother's wedding dress from 1961. To Taylor Pulfer, 29, her grandmother Sue, 82, and her husband, Dan, 82, are the beacon of the family – their 65 years together being the epitome of a strong marriage. Taylor from Dallas, Texas, said she had no real family heirlooms to incorporate into her big celebration – but then she remembered that her grandmother's dress had played a big part in more than one family wedding. More than two decades after Sue had worn her wedding dress for her marriage to Dan, the couple’s daughter, Angela, wore the dress for her wedding in Wichita, Kansas, in 1984. Taylor decided to keep her incorporation low-key and secret, asking her mom to visit her grandma to check if she still had the dress, which she then found in a garment bag in a relative's attic. Having sourced the dress, Taylor had a vision of what she wanted to accomplish: repurposing it for the rehearsal dinner before her big day. She admitted that she had no idea how to go about such alterations – but fortunately, one of her bridesmaids had seen a viral TikTok video of a wedding dress redesign by a designer, Lovell Faye, who lived just 20 minutes away. On February 23, Taylor and her husband Randall, 29, made their way into Sixty Vines in Uptown, Dallas, where they hosted a rehearsal dinner in the venue's greenhouse. Taylor, wearing the altered dress, made a B-line straight for her grandmother, who did not realize the garment's significance but said that Taylor looked beautiful, \
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Family Love Takes Me Home ep 17 chinese short drama eng sub
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Yorkshire clergyman Sabine Baring-Gould was a Victorian superstar who wrote Onward Christian Soldiers for a Whitsun Sunday School parade in his parish in 1865.<br/>But his incredible life was filled with other amazing achievements which have been largely forgotten, until now.<br/>A new touring show- about to get its official world premier in his former Wakefield parish of Horbury - will tell how he he was a top five best-selling novelist; the writer of what is still the go-to book on werewolves and inspired Bram Stoker to write Dracula.He was aaa storyteller of the Norse Myths of Iceland and even featured in a Sherlock Holmes novel as the detective’s godfather. <br/>In real life he married Horbury mill worker Grace Taylor, after educating her in society etiquette, inspiring George Bernard Shaw's  bestseller Pygmalion, which later became the Hollywood musical My Fair Lady.<br/>But the curate said the most important thing he ever did was to save a huge collection of folk songs from, Devon and Cornwall, where he was originally from.<br/> Some of those songs, interweaved with anecdotes from his own astonishing life and stories from his books willmark the centenary of his death in a new touring show called Ghosts, Werewolves and Countryfolk.<br/>It stars six-time BBC Folk Awards nominee Jim Causley and Miranda Sykes, of award-winning Show of Hands and Yorkshire-based Daphne’s Flight, and is narrated by John Palmer, director of the critically-acclaimed Vaughan Williams anniversary From Pub to Pulpit Cathedral tour.<br/>The premier will be at Horbury Working Members Club on Friday, May 17, 7pm to 9pm, beforeit goes on a 25-date national tour. For Horbury tickets visit https://www.eventbrite.co.uk/e/ghosts-werewolves-country-folk-songs-stories-of-sabine-baring-gould-tickets-863167335737?aff=ebdssbdestsearch<br/>For more about the 2024 Whit weekend events in Horbury visit https://horburychurch.com/activities/whitwalk/
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Family Love Takes Me Home ep 29,30 chinese short drama eng sub
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Family Love Takes Me Home ep 15 chinese short drama eng sub
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The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
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Family Love Takes Me Home ep 14 chinese short drama eng sub
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Family Love Takes Me Home ep 16 chinese short drama eng sub
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Family Love Takes Me Home ep 31,33 chinese short drama eng sub
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A woman gave birth to her baby in the front seat of her Ford Mondeo - after getting stuck in traffic on the way to hospital.<br/><br/>Demi Clark, 22, was 40 weeks pregnant when she began getting cramps, indicating she was going into labour.<br/><br/>Demi jumped into the car with her partner Daniel Moy, 32, and her mum Maria Clark, 41, and they sped off to Sunderland Royal Hospital.<br/><br/>But on the way the family, from Whiteleas, South Shields, got stuck in traffic crossing Sunderland Bridge.<br/><br/>At the same moment Demi began getting strong contractions and felt the urge to push.<br/><br/>In standstill traffic, Demi had no choice but to labour in the front seat while Maria, who had no medical training, helped deliver from the back seat.<br/><br/>Baby Delilah, Demi's third child, was born weighing 7lbs 13oz.<br/><br/>She had to be wrapped in a jacket until they finally arrived in hospital by ambulance.<br/><br/>Delilah spent some time in hospital before being discharged - and is now at home with her family.<br/><br/>Demi, a stay-at-home mum, said: \
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AN OLD Ford Falcon XA Superbird has been given a new life after one man restored the car to surprise his father. Tommy Giankos’ father, Paul, bought the XA Superbird in 1973 - it was his very first car. However after an accident wrote the car off, it sat idle on their family farm. It wasn’t until 2013 when Tommy decided to rebuild it to the surprise of his father. Industry experts estimate that the car has increased significantly in value after its $100,000 revamp, but the family has no plans to let go of it just yet. Tommy said: “It took five and a half years, but it's pretty much a dream come true to think that I can drive this car now, when growing up I thought I’d never drive it again after what happened.”
⏲ 4:10 👁 120K
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