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Z-Day - PMW-F3 S-Log Camera test day1
⏲ 2 min 44 sec ✓ 20-Jan-2013
S-Log and the F3 – Part 5: 3D Look Up Tables
⏲ 5 min 89 sec ✓ 29-Mar-2012
Panasonic Lumix S1H - Alexandra Park
⏲ 2 min 15 sec ✓ 23-Dec-2019
Fujifilm X-H1 F-log vs Eterna grading en Dynamic range test
⏲ 63 sec ✓ 06-Mar-2018
Sigma 24-70mm f2.8 L-mount, Panasonic S1H
⏲ 46 sec ✓ 27-Feb-2020
Madrid, Puerta del Sol.Some random shots in S-Log2 with Sony A7s.
⏲ 1 min 27 sec ✓ 22-Sep-2015
Color Grading with Luts Get Cinematic film Look
⏲ 83 sec ✓ 08-Dec-2017
Casio EX-F1 300fps test
⏲ 84 sec ✓ 24-Sep-2008
Sunlight in the forest
⏲ 2 min 62 sec ✓ 11-Sep-2016
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_sunlight-in-the-forest.jpg "This video is the result of a nice and calm walk in the Atlantic Forest in Northeast Brazil. The images were captured with a Canon 60D, a vintage Sigma 75-200 (2.8-3.5), and a kit zoom lens (Canon 18-55, 3.5-5.6). Up to 2:25 min. images were captured with the Sigma lens, from there to the end with the Canon lens. The reason to carry the Canon 60D was to test Andrew Reid's EOSHD C-Log. I found his custom log very good, even under the challenging light conditions of a tropical forest. But one can")
_z-day-pmw-f3-s-log-camera-test-day1.webp "Today I shot some setups for a Zombie movie I'm DP'ing. Kieren Wuest (Director) has graciously allowed time on set for initial setups and tests… it's a real luxury to have testing time! What I learned from todays shoot:n-I need a Lamparte Follow focus with hard stops (I shot today without a FF… I have an old Red Rock)n- We'll have to rethink the framing/staging on the 'zombie kids' shot.nnI'm shooting this with my S-Log enabled Sony PMW-F3, with the sony T2 cinema primes and a hired Zeiss")
_s-log-and-the-f3-part-5-3d-look-up-tables.webp "In this last part of my Sony F3 and S-log series, I go over how to generate 3D LUTs that can be used with external LUT boxes and in post. In order to do this I use an HD Link Pro from BlackMagic Design and, to control it, a program called LinkColor. In my last video, I generated several 1D LUTs with Sony’s CVP File Editor, and then converted them to 3D LUTs for use with LinkColor. I call these simple 3D LUTs “DeLog Curves,” and you can download them here. Finally, I created several 3D LUTs")
_panasonic-lumix-s1h-alexandra-park.webp "Out and about in Alexandra Park, Manchester with the amazing Panasonic Lumix S1H.Footage was shot over two afternoons in varying weather and lighting conditions.The camera performed far beyond my expectations and I feel I've yet to scratch the surface of what it can truly achieve.Footage was recorded in V-Log with a Panasonic Varicam Rec.709 LUT applied.nnLenses used:nnPanasonic Lumix S 24-105mm f/4. nTamron AF 70-300mm f/4-5.6 (with Nikon F to Leica L mount adaptor). nSamyang 85mm f/1.4 (")
_fujifilm-x-h1-f-log-vs-eterna-grading-en-dynamic-range-test.webp "Fujifilm X-H1 F-log vs Eterna grading en Dynamic range test from f log 1 log 1")
_sigma-24-70mm-f2-8-l-mount-panasonic-s1h.webp "Just a lens test. First 10 minutes with the Sigma 24-70mm f2.8 L-mount, on a Panasonic S1H. V-log, no colour or grade, just the varicam fashion locon Lut.")
_madrid-puerta-del-sol-some-random-shots-in-s-log2-with-sony-a7s.webp "Madrid Puerta del Sol. Some random shots in S-Log2 with Sony A7s.nShot at 60 fps. Slog-2, Leica Summicron-R 35 mm, Heliopan Vari_ND, Handheld.nShutter 1/125, F-stop 2.8- 5.6nEdited in FCPX and graded with FCPX and Irudis Tonalizer.")
_color-grading-with-luts-get-cinematic-film-look.webp "From basic color corrections to color theory and advanced color grading. Learn how to get that cinematic film look in this complete tutorial for Adobe Premiere Pro.nMy Son MashallahnnColor grading or color correction isn't an easy process to learn. Apart from the technical difficulties, there are many creative choices that have to fit a certain color theory. In this tutorial video we show you the complete process for achieving that cinematic film look you'll see in Hollywood blockbusters. In thi")
_casio-ex-f1-300fps-test.webp "Testing our new Casio EX-F1 camera: Log tossed into the water, makes a satisfying splash, at 300fps.")
_sunlight-in-the-forest.webp "This video is the result of a nice and calm walk in the Atlantic Forest in Northeast Brazil. The images were captured with a Canon 60D, a vintage Sigma 75-200 (2.8-3.5), and a kit zoom lens (Canon 18-55, 3.5-5.6). Up to 2:25 min. images were captured with the Sigma lens, from there to the end with the Canon lens. The reason to carry the Canon 60D was to test Andrew Reid's EOSHD C-Log. I found his custom log very good, even under the challenging light conditions of a tropical forest. But one can")
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