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_why-do-we-use-no-2-pencils.webp "WHAS11")
_magic-with-a-number-2-pencil.webp "Reading Rockets")
_elephant.webp "Oona Grimesbut at any rate, for a ten-year old to generate such an oddly encoded utterance, brazenly depositing it at the scene of yet another crime, suggests a rather complicated commingling of reason, fantasy, desire and of straining for effect. There are many different kinds of return; indeed the using of Bell’s phrase as an exhibition title is itself a textual reappearance of its author. All of the works in this show deal, in one way or another, with forms of return, reiteration or haunt")
_3d-trick-art-on-line-paper-floating-number-2.webp "Sonhos com Dimensão")
_m-osrisc-first-model-2014.webp "It’s a boat with crab cages slung over the side, into an ocean filled with hungry crabs.The cylindrical drums are like the cages, but you have to load them yourself.That would make the photographs either the bait or the crabs. nnIt’s like that thing on the counter at McDonald’s that you try to drop a coin into and land it on the small plastic disc.The coin is thin and small, so the water can easily misdirect it as it falls.I have never landed the coin on the platform.The photogra")
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_sweet-grapes-sugar-cane-blueberries-amp-okra-a-delicious-variety.webp "Deep South Homestead")
_iberia-computergesteuerte-lichtinstallation.webp "Bei der Lichtinstallation „Iberia“ handelt es sich um acht Lampenkästen mit zusammen 16 000 Watt Leistung, die von einem Apple II-Computer nach dem Musikstück „Iberia - Le matin d’un jour de fete“ von Claude Debussy angesteuert werden. In die Steuerung gehen dabei sowohl musikalische Klangstrukturen als auch aleatorische Elemente der Programmstruktur ein. Jeder Durchlauf des Programms erzeugt so eine variierte Lichtchoreographie. Um dies zu ermöglichen, wurde von Forster - unter Mit")
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