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_117934-performance-of-a-sound-manipulated-piano-piece.webp "„I let the chord ring and tell the software with a gesture to endlessly repeat those exact 500 milliseconds. Then I access the elementary parts of the tone and transform them into something new. I keep on playing and combine the newly generated sound with familiar listening habits up to the point, where I gesture the software once again to endlessly repeat those exact 283 milliseconds.“nnMaster thesis by Ralph Rubin in the degree course")
_iphone-ringtones-in-synthesia.webp "Sześcian")
_laser-wheel.webp "A circle of laser beams acts as virtual strings, each triggering a unique sound when plucked. Strings are velocity sensitive, responding through sound intensity and tone to the speed with which the hand is moved through them. Notes can also be damped by holding the hand within the beam. A smoke machine or hazer would make the beams visible, in the absence of either of these I hold a smouldering piece of paper in a beam towards the end of the movie reveal a beam.nCurrently only the outer ring of")
_iphone-ringtone-opening-piano-tutorial-synthesia.webp "Nicolas Prodan")
_tony-ann-iphone-alarm-as-a-piano-ballad.webp "Tony Ann")
_pulse-lux-2015.webp "PULSE LUX | 2015 by Daniel K. Brown with music by Mark K. JohnsonnnMedia: Digital animation | 0:05:50:00, 25.00 fps, 1280 x 720nAnimated lights, digital soundscape, fabric screen, projectionnSite: Wellington, New Zealand | harbour wharf cutout between Museum of Te Papa and Circa TheatrennMusic for")
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_iphone-ringtone-opening-piano-tutorial-synthesia.jpg)
_tony-ann-iphone-alarm-as-a-piano-ballad.jpg)
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