_april-2020-paris.jpg "APRIL 2020 PARIS from dahan Video Screenshot Preview")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
⏲ Duration: 5 min 24 sec
✓ Published: 22-May-2021
✓ Published: 22-May-2021
Description:
This isn’t a story about a virus. Just about a year ago, April 2020, and Paris is a month into a citywide lockdown. Parisians cannot leave their homes without proper documentation.nDazed, distraught, and desperate for social interaction, three neighbors meet in their courtyard for tea. Twice a week, 6 feet apart, Frances (59), Satu, (30), and Pauline (26) meet up face to face. This film is based on true events from their conversations. Charlotte Gainsbourg as FRANCES, a retired British art tea
This isn’t a story about a virus. Just about a year ago, April 2020, and Paris is a month into a citywide lockdown. Parisians cannot leave their homes without proper documentation.nDazed, distraught, and desperate for social interaction, three neighbors meet in their courtyard for tea. Twice a week, 6 feet apart, Frances (59), Satu, (30), and Pauline (26) meet up face to face. This film is based on true events from their conversations. Charlotte Gainsbourg as FRANCES, a retired British art tea
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
_redev-2011-the-software-simplist-udi-dahan.webp "Although Enterprise Service Buses have been used in many larger companies, small and medium enterprises have often been put off by the high cost of these large middleware packages. These days we're seeing more open-source service buses gaining popularity and many developers are beginning to get curious - what would I use it for? Join Udi to get the scoop as well as see some patterns in action with NServiceBus.")
_trace-sports-sports-beauty-show-ident.webp "In contrast with the music networks which use a lot of film sequences in their broadcast identity systems, the entire Trace Sports package was conceived and produced as a predominantly graphic identity.nAll show idents were created respecting the same constraints: using only typography, color blocks, smart music choices and 2D animations techniques.nWhile staying coherent with the Trace Group’s branding identity systems, Trace Sports stands out as a modern, dynamic and distinctive entity from")
_bande-dmo-delphine-thodore.webp "Bande démo de Delphine Théodore n")
_gil-yefman-kibbutz-buchenwald.webp "Gil Yefman: Kibbutz BuchenwaldnnAt the center of the exhibition is a new project made in collaboration with artist Dov Or-Ner and the Kuchinate Collective. The exhibition returns to an episode in history shortly after WWII, and deals with the fracture between “Holocaust” and “Revival.” It raises collective traumas as well as suggestions for healing them. Through the motif of cultured nature, an imagined, fantastic, queer, mystical site is created: this is Kibbutz Buchenwald.nnCURATOR:nAd")
_siestas-teaser.webp "SINOPSISnnEn el linde entre los sueños, los recuerdos y la realidad, se desarrolla la historia de Wanda y Teresita.nWanda, que convive con sus tías, proviene de un universo conservador y clásico. Ella es tímida, frágil y posee una cosmovisión del mundo que roza lo depresivo. Teresita, que vive con sus padres, representa lo exuberante, barroco y popular. nEntre discos de Billie Holiday y pinturas de Paul Delvaux, transitara este relato que no distingue lo onírico de lo Real.nnElenco:nnFlor")
_redev-domain-models-and-composite-applications-udi-dahan.webp "As developers use DDD principles to build larger and richer systems, many of them run into performance and maintainability problems as their domain model grows to meet the demands of the system. Performance problems addressed by eager fetching reappear later in other parts of the system, now requiring the use of lazy loading for the same entities. Join Udi as he shows the use of Bounded Contexts to turn monolithic systems into composite applications, now with multiple lean and mean domain models")
_life-autumn.webp "Type of Project: CommercialnType of Work: 3D Animation & VFXnnCredits:nCreative Director: Nir GinatnProject Manager: Efrat ShvimmernArt: Guy Dahan, Lior Arditi, Ayana NisannModeling: Yanir TearoshnRigging: Matan Halberstadt nMorph: Aviv Bar AminFur: Matan Halberstadt,Chen HillelnShading: Chen HillelnCamera Tracking: Omer ErlichnAnimation: Elyakim DrorinLighting & Rendering: : Omer ErlichnLead compositing: Itay GreenbergnCompositing: Shani HermoninEffect:Aviv Bar AminDirector: Eli Sve")
_don39t-talk-talk.webp "Don’t talk.nnIt’s too hard. It’s annoying. It’s so much easier to stay in our bubbles, close our ears and eyes, and just… not talk.nnBut let’s face it: If we don’t talk, we can’t tackle the problems facing our community and our world. nnJoin the students, faculty, and parents of Shalhevet High School as they explore why it’s so important (and yes, challenging, frustrating, and sometimes annoying!) to do the only thing that will really bring us together: Talk.nnFeaturing:nValenc")
_redev-2011-the-software-simplist-udi-dahan.jpg)
_trace-sports-sports-beauty-show-ident.jpg)
_bande-dmo-delphine-thodore.jpg)
_gil-yefman-kibbutz-buchenwald.jpg)
_siestas-teaser.jpg)
_redev-domain-models-and-composite-applications-udi-dahan.jpg)
_life-autumn.jpg)
_don39t-talk-talk.jpg)
![[+]](/images/menu.gif){kind=small}